Coenwulf’s cotehardie started December 26, 2019. Finished on December 31, 2019. Details: – fully lined men’s cotehardie using the pattern posted here: Conjectural late 14th/15th century men’s cotehardie pattern with a collar – New Black linen lined in new orange linen. Orange is stamped. – Buttons down the center front to the waist. – Buttons on the ends of the…
Fearghus’ dark green wool cotehardie started December 11, 2019. Finished on December 26, 2019. DETAILS: – fully lined men’s cotehardie using the pattern posted here: Conjectural late 14th/15th century men’s cotehardie pattern with a collar – Recycled Green wool lined in new red linen. – Copper colored buttons down the center front to the waist and on the ends of…
Fearghus’ grey linen cotehardie started October 28, 2019. Finished January 3, 2020. Now that I have a pattern I need to start thinking about how to put it together. I also need to keep in mind that I’m planning to teach this to a bunch of folks who just want a cotehardie and are not terribly interested in “perfectly period”…
In an SCA context, what do you think should be included in an Arts display? What makes for a good display? Okay. As always, I have opinions. I believe the SCA Arts display falls somewhere between a Science Fair project (lifecycle of a frog) and an elevator pitch** about your work. **What is an elevator pitch? You step onto an…
This is a living document. As I do more fittings, identify fixable issues and receive more questions about fitting I will be adding that to this blog entry. Please let me know if anything here is confusing or if you have any helpful hints/tricks to add to this. – Sylvie The first 90% (see here for cotte pattern or here…
This pattern will create a woman’s late 14th/15th century cotte/gown. Click here if you’re looking for the Men’s pattern. When drafted the pattern includes 1/2″ seam allowance on all edges. Because of the tight fit this will need some type of closure (rather than pulling it on over your head). For women, on a supportive layer I recommend you use…
This pattern will create a man’s late 14th/15th century cotehardie without a collar with a hemline falling at just above the knee. Click here if you’re looking for the women’s pattern. When drafted the pattern includes 1/2″ seam allowance on all edges. Because of the tight fit this probably needs some type of closure (rather than pulling it on over…
Women are not cones. We are (for the most part) hour glass shaped. In order for a bodice to be supportive and look flattering at least one of the seams needs to have a vaguely hourglass shaped hunk taken out of it. This is an ongoing debate in the re-enactment community. Do you pull the fabric out of the center…
One of the nice things about following more period correct methods of construction (ie, the methods laid out The Modern Maker series of books) is that the methods lend themself really well to alterations. That is, without very much fuss at all I can fix a fit issue (or make a garment fit someone else) without having to completely de-construct…
Autumn Gold sleeveless waisted kirtle started 7/24/2019. Worked on sporadically, and then finally finished on September 25, 2019. Details: – kirtle will be side laced. – edges will NOT use bias binding – this one will use one layer of interlining in the whole bodice and a second layer of interlining at the center front. I’ll be pad stitching them…