


It's so hard to be just French. I'm Sylvie. I'm french. But I'm also "Sylvie, timetraveler of fashion."
I've developed a need to make a german gown. I didn't mean to. I won't let this suck up my life and make me spend every day morning, noon, and night looking for pictures of German ladies. I won't!
I blame this on Etaine. It's her fault with her perky bustling around in germans and her blasted friends bustling around in germans. I also blame Edith. With her "hey, we're of German decent.. we should look smashing in German garb". They're all just evil.
Lastly I blame their Excellencies Rolf and Rory. With their german step up at Purgatorio. They have finally added a deadline to a never-started-because-I'm-intimidated-by-it project. *sigh* So I guess I'll have Germans by Purg (in 5 weeks).
I have no idea what these garments would actually be called in German. I think I'll stick with "dress", "underdress", "sleeves" and "stomache thingy".
I think the fabrics looks like velvet or wool. I've been informed that wool flannel works very well. I'll probably use that with probably a cotton or linen brocades for contrast.
My goal is to create a garment that is consistent with the fashions portrayed in the paintings of Cranach the Elder from around 1520-1530 Germany.
Details to include:

Ran off to Discount Fabrics at lunch (long hike for a lunch hour). Scored 7 5/8 yards of cotton-with-a-linen-look ($2/yd) to line his German outfit and 3 yards of brushed cotton twill ($3.75/yd) to make another attempt at a corset.
I talked with Etaine this weekend. She said that instead of making a corset (which is probably wrong for this dress style) and then fitting a dress over that corset I should instead make the dress and bone the front opening. That makes the dress much easier. I'm thinking run bone along the front edges. Whip lacing rings directly under the boning. Add additional boning if necessary to keep boob-age from leaking into underarms. Use hook and eye to attach front decorated and re-inforced placket to support boobage. So this is essentially like my italian dresses except that the boob will be supported by the decorated placket and the black lacings will run across the stomach, holding the bottom of the dress tight (under the boobs). Much easier than previous plan.
I'm hoping the wool comes this week. I want to make the bodice out of two layers of linen and use that to hold the boning and lacing rings. Then the wool will attach to the outside sort of decoratively. All the strength will come from the linen. I'm pretty sure I have some lovely dark-chocolate linen that would be perfect for this.
I can't make the decorative placket until I receive the brown wool. I want to make sure that the colors work well together.
Hmmm.. option 2 is to make dress from linen and skip the wool part. That idea has potential. I have black velvet ribbons I used on italian dress. That would easily work on german dress. This idea bears thinking about.
So. Worked on bodice on Sunday. Learnings:
So back to the corset idea.. though it's evolved into more of a reinforced bodice than a corset. Using the corset pattern shown above I've iterated it to the point that it's fitting nicely and supporting in all the right places. The next step is to add fabric to the top of the back and around the shoulders to make sleeve caps(the strip that runs from the front of the dress to the back of the dress and is the sleeves attachment point). Need to find pictures of the backs of german ladies dresses. Hrm.
Oh, and FedEx says wool will arrive on Wednesday. Crossing my fingers and hoping the brown will be ok.
FedEx lied, but in a good way. Fabric arrived yesterday. The brown is acceptable. It's not the "liver" color I wanted.. but it's good enough.
I tried to place the sleeve caps. Hard to do when one side is behind your back.. and that's the side you need to pin down. I'll wait on "Open Project Night" (tomorrow) and hope that Edith comes over to pin the straps. Other than that I think I'm ready to move onto the actual garment.
Edith came by last night and helped fix the top of the bodice. In addition to adding the sleeve caps she helped to fit the area around the arm. After it was all fitted she marked where the seam lines should be. Side-back into the arm hole and across the top of the shoulder (just behind the top.. more like top-back). Hopefully this will allow me to cut the current pattern apart to make another copy of it (this time with all the pieces attached). The final bodice is a total of 4 pieces. Back, 2 side-back, and front. The back and side-backs will be made of brown fabric. The front will be made of white with the "brustfleck" on the top.
Things to change on the pattern pieces:
Plan:
Finished #1-4 above. I forgot to add the tabs to the back-bottom of the bodice. I'll see about adding it to the final one. Initially I added seam allowance to the straps.. but during the cutting out I convinced myself that wasn't needed and I cut it off. I really shouldn't have listened to myself. I'm pretty sure I'll need to add it back in. Otherwise my straps are way to small. I also think I forgot to add seam allowance to the ends of the straps. *sigh*
Even will all the errors, the cutting out and initial sewing together went very quickly. I'm very close to moving on to working on the actual garment. Not a moment too soon either.. I'm pretty much out of the fabric I've been using for the test patterns.
Up next: adventures with linen
I am again reminded that I need to try harder when I'm using a pattern. When you're making something that's closely fitted to your skin you really really need to make sure you don't (say) accidentally add 1/2 inch to each side of all of the pattern pieces so that the sewn together first draft in linen is about 3 inches too big. *sigh*
So I cut out the dress twice this weekend and sewed it together twice. Take two was much better than take one.
Learnings so far:
The white is permanently affixed to the brown on the left-hand side.. and then is laced in on the right-hand side. I'll need to make the white about 1 1/2 inches bigger than the pattern piece so that it will 1) still fit me, 2) get the proper overlap and 3) be able to sew it in such a way that the stitches don't run over the bones. The lace will need to be set back about 1/2 to 3/4" on the brown. I think that'll work much better.
(Especially when I think back to his look of horror when he saw the sloppy and unsupportive "take one".)
After careful consideration I've abandoned the idea of adding a tab to the bottom of the back piece. I can't figure out how I would attach the skirt to the bodice if the tab was in the way. Plan A for now is to just to keep the back bones short enough that they don't poke me in the butt. Plan B (if plan A fails miserably) is to make a bone casing with integrated tab and hand-stitch that to the interior of the dress -after- the skirt is attached.
So very close. Monday I stopped at Lacis and picked up Lacing Stays. They are -so- the bomb. Fearghus trimmed them to the correct length and helped me to set the grommets in them. Tuesday afternoon I attached them to the shell.
Tuesday night I tried it on. Gah.. again I can't measure to save my life (or rather I measure and then I'm too conservative in my additions)(once burned by adding too much, now I add to little). The shell, all cinched down is very tight. Too tight. I could wear it that way for about 20 minutes before I cried uncle. I messed with the lace and unlaced it to the point where I was supported but it still felt comfortable enough to wear for a day. At this point I need to add 1 3/8 inches to the top and probably 1 1/2 inches to the bottom. I'll do this by making one more stab at the white insert. Hopefully this will be the last stab.
Luckily Edith was able to help me connect the sleeve front and back. I'll be all set to move forward on that once I re-do the insert (again).
Too hot to work in sewing room. That room's on the north-west side of the house and gets all the afternoon sun. I ironed the linen for the insert but couldn't work up the energy to cut it out and piece it together. Instead I decided to start on an accessory.
I have this hair bag that I made for my Italian dress. I don't know why I made it for the italian dress.. it seemed like a good idea at the time but in retrospect, when I actually look at the pictures of the italian dress, I can't find anyone wearing anything like it. Lucky me, this hair bag is the perfect accessory for the german dress. So I'm repurposing it. It's now a "German Hair Bag".
To make this I gathered a circle of white silk into a band. I don't remember the dimensions of the circle (the hair bag was originally made almost two years ago).
Looking at my inspirational pictures above all of the hair bags/nets seems to be slightly brownish. My white silk hair bag was way to bright. I decided to tea dye it.
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I removed the tea bags, wet the hair bag and then dunked it in the tea and swirled it around for a couple minutes. Then I pulled it out and rinsed it. The golden brown looks dark enough to me. So ta-da. Instant golden brown hair-bag. Now, if I'm lucky, I'll have time to add the netting and pearls.
Finally I have some pictures to show!
Generally I like how it's fitting and looking. In specific there are a few problems.
I tried, really hard, to get the fashion fabric attached without having the seam allowances of the linen shell on the outside. In the end I couldn't get it to work along the front edge (it did work along the side-back seams). So I seam-ripped the front edge open, removed the bones there, sewed the fashion fabrics back in there and then re-added the bones. It was worth the ripping to get the smooth and easy seams.
On Friday I also hand-finished applique-ing and top-stitching the yellow trim pieces to each side of the front opening. I think it's looking lovely. Oh, I also started (and then finished on Sunday) adding the netting to my caul (ok, so "hair-bag" is more descriptive.. but I guess "caul" is more correct. Whatever). If I have time I'll add pearls to it.
At this point I need Edith's help (again) to 1) match up the straps so they fit smoothly, 2)do the initial fit on the top of the sleeves and 3) measure for the length of the skirt portion. I think I'm in good shape.
Last night was sewing night. Edith dropped by late (10:30-ish). She (again) matched up the straps and pinned them (this time we used safety pins so they won't fall out). I marked the length of the brustfleck (7" tall x width of the white insert) and then she helped me to mark where the top of the skirt should be falling. It's about 2-3 inches higher than where the bottom of the bodice is now.
I spent the rest of the night (in between helping her to futz with her bodice) replacing the bones in the current bodice with shorter bones (the shortened bodice means I need shorter bones down the front). Lastly, she helped me to measure the length for the skirt.
At this point the only bones I have left to shorten are the "lacing stays". The new shortened bodice actually works better with the shorter, original (temporary) lacing strips I had earlier (back when I first raved that temporary lacing strips are the bomb). I think tonight I'll remove the current lacing strips and add the old ones (by hand since I can no longer sew through the bodice since I've attached the fashion fabric)(future note: futz with the length of the bodice -before- you attach the finished fabric).
Up next: the skirt.
Edith and I discussed it.. I could wear the dress without sleeves.. but I can't wear it without a skirt. So the skirt part's next.(less than two weeks until Purg at this point)
Despite Etaine's insistence that "cartridge pleats are the only right pleats for this dress" I think I'm going to use pipe organ pleats.
Reasons:
So the plan is to start with a rectangle of fabric (45 7/8" by ??? bottom of bodice measurement * some multiplier for the pleats. Still need to figure that out) and add the guards to it (hidden stitch on one side, top-stitch on the other. When there's time (probably after Purg) I'll go back and replace the top-stitch with a hidden applique stitch). Then pleat it. Trim the top to the correct length then attach it to the bodice. At this point I'm not planning to tape my pleats.
I plan to attach the skirt directly to the bottom of the bodice using a french seam. Plan: Match up the skirt to the bodice with the insides together. Sew a seam all the way around (leaving a little slit under the laces). (if I put the dress on at this point I'd have seam allowance all around the outside of the dress). Flip it so the outsides of the skirt/bodice are together, pin aggressively to hold the pleats in place and sew another seam that encases the first seam allowance (don't be skimpy. You don't want bits of the first seam allowance to stick out). Ta-da. If necessary, tack down the french seam to keep it from flopping about (possibly not necessary).
5 days until Purg Turns out the skirt is 46" by 250". That's about 7 yards of skirt. Sheesh. I just barely had enough wool (good thing I bought 10 yards).
Saturday was spent sewing on the guards. There are three of them. I ran out of thread just as I was attaching the last guard (at 9:30 at night). Had to wait until Sunday morning to finish that up. As mentioned previously, I'm top stitching the guards currently. I think it looks like shit, but I don't have time to hand-applique the guards before Purg. The plan is to do the hand-applique after Purg but before 12th Night.
Sunday I pleated the skirt, trimmed it to length, and attached it to the bodice. I had planned to attach the skirt using a french seam. This worked well when I made my italian dress. The difference here is that this skirt (made of wool and with its rolled pleats) is -way- bulkier than the italian skirt was (made of linen with its knife pleats). As I started attaching the skirt I realized there was no way it was going to make a nice neat french seam(Add to that, I didn't leave enough seam allowance on the bottom of the bodice to allow for the french seam.). So I started over and changed the plan to put the seam allowance to the inside.. and then bind that with a strip of the lining linen. I think it's working out well.
One of the draw backs of this change in mid-stream is that now my guards are 1 inch too low. I'd added 1 inch to the top of the dress to allow for the french seam. Now I'll only have 1" (or less) between the bottom guard and the hem instead of the 2" I originally planned.
Sunday night I finished some of the hand sewing. I added a skirt hook to the bottom corner of the bodice to hold it in place and hemmed the edge of the slit in the top of the skirt that allows me to get into and out of the dress.
While at Jo-Anne's on Sunday morning (picking up more thread to finish up the guards) I also found some lovely trim with -huge- pearls on it. I think it will make a lovely choker (thus avoiding the whole "open chain link necklace" thing from the SCA perspective. (if you're in the SCA.. and you have a german gown.. and you go to a Renn Faire... do you wear the chain? Even though it violates SCA custom? Hmm.)
I tried on the dress with my Italian chemise.. and I don't like the way it works. For Purg I think I'm going to go without. For 12th Night I'll make up a new chemise.
I think at this point I need to hem the dress, make/attach the brustfleck, add lacing rings and make/attach the sleeves and I'm done.
The minimum left to do: Make/attach sleeves, add lacing rings, hem dress. At that point it's wearable and acceptable for Purg.
Additional to do: Fix skirt (see above), applique the bottom of the guards, Add beading to brustfleck, Add embroidery (?) to guards and front trim.
2 days until Purg Yesterday my company took all of us to a baseball game. I brought my caul and started sewing pearls onto it. It turns out that you can make good progress on sewing down pearls to a caul at a baseball game.. assuming you don't actually like baseball.. and are perfectly ok with missing most of the action. The caul's looking great. I'm also working on it during my BART commute. Hopefully I can finish all the pearls by Saturday. Last night I finished a bit of fidgit-y sewing on the back/shoulders of my dress and made some progress on the sleeves.
I'm making sleeves like the middle princess in "The Saxon Princesses" picture. It took about 3 hours to make the top part of one sleeve. I didn't notice it took that long until I was done with it. I'm worried that I'm going to run out of time. I think they will look really good. Assuming I can get them done. *sigh*.I so wish I had one more week to work on all of this. At this point I'm deciding which corners it's ok to cut. Hats are pretty much out. Finish work is out. Anything that doesn't show is out. As long as we look presentable. The thing is, I don't want presentable. I want it all. I want the embroidery. I want hats. GRR!
Tonight I'll finish the top of sleeve #2 (it's 1/2 done now) and make the bottom half of the sleeves. I think the bottoms will go -much- faster than the tops. Those are straight ruffles, not bent like the ruffles at the armseye. Then attach the sleeves to the dress, add the lacing rings, hem the dress.
Well it happened. Purgatorio occured. I got lots of compliments. I took a camera but of course completely forgot to take any pictures. I'm hoping other people took pictures and post them in the next few days.
The dress was wearable.. and even relatively comfortable. It wasn't as hot as I feared it might be. The only thing I found uncomfortably hot was the bottom part of the sleeves. Close fitting linen+wool sleeves were stifling hot. Because of time constraints I did the bottom part of the sleeve without any ruffles. I think the ruffles might actually have made the sleeves less hot.
Learnings:
I borrowed a hat from Etaine. All was well.

I started the weekend with a finished dress and finished the weekend with a couple of bags of pieces of dress. It's like a deconstructed german dress :)
I tried the dress on and both Edith and Sefa agreed that the bodice needed to be shortened about 2 inches all the way around. I took the dress off and then removed the skirt and sleeves, undid the pleats in the skirt, and removed the guarding from the front of the bodice.
Ideally I'll have the dress all back together by Mists Investiture (November 11). Brion and Ysabella are stepping up as Prince and Princess of the Mists and they will be wearing Germans.
Current plan:
This gives me around 65-66 pleats (49 divided by 3/4" ) around the bottom of the bodice.
Which means that each pleat needs to be around 3.60" each (238 divided by 66).
Rounding this, I'll be using 11 blocks in the gingam as my guide. (each block is around 5/16. 5/16 x 11 = 3.4375 which is as close as I can come in whole blocks to 3.60)
Last night I trimmed about 1.5"-1.75" off the bottom of the bodice all around and then finished that edge. Since I'm going to be attaching cartridge pleats I needed a finished edge. The plan for tonight is to re-attach the gold trim along the front edges of the bodice and to finish all the hand stitching on the trim on the front and the back.
On Sunday Ysabella had Mari come and teach a class on German's. Nice class. Lots of pictures. Mostly confimations of things I'd come to understand. The class gave me time to finish with attaching the gold trim. It's all nice and flat.
It's not going as quickly now that there's not an immediate looming deadline.. but it is going. The bodice it now completely attached to the skirt. The part across the front where there is no bodice is attached to a piece of wool and then attached to the bottom of the white placket.
Woot! Lower sleeves went together very quickly. These have straight "hedgehogs"** unlike the upper sleeves where the top "hedgehogs" followed the curve of the armcye.