Coenwulf’s cotehardie started December 26, 2019. Finished on December 31, 2019. Details: – fully lined men’s cotehardie using the pattern posted here: Conjectural late 14th/15th century men’s cotehardie pattern with a collar – New Black linen lined in new orange linen. Orange is stamped. – Buttons down the center front to the waist. – Buttons on the ends of the…
Fearghus’ dark green wool cotehardie started December 11, 2019. Finished on December 26, 2019. DETAILS: – fully lined men’s cotehardie using the pattern posted here: Conjectural late 14th/15th century men’s cotehardie pattern with a collar – Recycled Green wool lined in new red linen. – Copper colored buttons down the center front to the waist and on the ends of…
Fearghus’ grey linen cotehardie started October 28, 2019. Finished January 3, 2020. Now that I have a pattern I need to start thinking about how to put it together. I also need to keep in mind that I’m planning to teach this to a bunch of folks who just want a cotehardie and are not terribly interested in “perfectly period”…
This pattern will create a woman’s late 14th/15th century cotte/gown. When drafted the pattern includes 1/2″ seam allowance on all edges. Because of the tight fit this will need some type of closure (rather than pulling it on over your head). For women, on a supportive layer I recommend you use a spiral lace (¼” from edge, ¾” apart see:…
This pattern will create a man’s late 14th/15th century cotehardie without a collar with a hemline falling at just above the knee. When drafted the pattern includes 1/2″ seam allowance on all edges. Because of the tight fit this probably needs some type of closure (rather than pulling it on over your head). I see buttons down the front in…
Women are not cones. We are (for the most part) hour glass shaped. In order for a bodice to be supportive and look flattering at least one of the seams needs to have a vaguely hourglass shaped hunk taken out of it. This is an ongoing debate in the re-enactment community. Do you pull the fabric out of the center…
One of the nice things about following more period correct methods of construction (ie, the methods laid out The Modern Maker series of books) is that the methods lend themself really well to alterations. That is, without very much fuss at all I can fix a fit issue (or make a garment fit someone else) without having to completely de-construct…
Autumn Gold sleeveless waisted kirtle started 7/24/2019. Worked on sporadically, and then finally finished on September 25, 2019. Details: – kirtle will be side laced. – edges will NOT use bias binding – this one will use one layer of interlining in the whole bodice and a second layer of interlining at the center front. I’ll be pad stitching them…
Last night I finished stitching the tuck** onto the bottom of my Autumn Gold kirtle. Just as I finished stitching the tuck I looked at it and had the following mini-conversation and epiphany. Me: This tuck would be really convenient for pregnancy.Also me: Or for young girls who have not gotten full height… or hand-me-down clothes.Me: Yeah. But that stitch…
Antwerpen white linen coif started April 2, 2019 and finished April 7, 2019. Special thanks to Aleit Pietersdochter over at The New Cut who is working on documenting 16th century Dutch costuming terms and dug up the terms “Huve”, “Huive”, “Huyfd” which seem to be the proper name for this white linen coif. Although a lot of the Antwerpen market women wear their hair…