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      • Cranach dress diary).. but not really camp garb. So I need a new dress. The cloths of a Kampfrau seem especially suited to camping (go figure). So it begins.

        Research and Background

        Details to include:
        • Dress made of wool
        • Simple front-closing bodice that laces or hooks in the front (leaning towards hooks).
        • Multiple guards on the dress (assuming I find that guards are appripriate)
        • Fantasticly over-the-top sleeves.
        • The dress of 1,001 accessories (bottle, knife, pouch, etc, etc)


        Inspirational Pictures

        Durer_Seated_Woman.jpg
        Dürer, Albrecht
        Seated Woman
        1514
        Army_Train_detail3.JPG
        Edhard Schoen G.1235-1238.
        Detail - Army Train
        1532
        Encampment_detail.JPG
        G.1264 Encampment

        holbein%252Ccountess2.jpg
        Holbein
        holbein%252Cnoblewoman2.jpg
        Holbein
        holbein_3death1.jpg
        Holbein

        big_image_1161084651358.jpeg
        Doppelsoldner-n-Frau-1.jpg
        Schneider-n-Neterin.jpg


        Process


        ">Kampfrau, 15??s
      • fearghus_inprocession.jpg
        Picture by Bianca
Diary started Jun 26, 2006
Outfit Finished on August 25, 2006.

Summary

landsknecht n.
from Landsknecht "servant or soldier of the country or land": a European mercenary foot soldier of the 16th century, armed with a pike or halberd. Fearghus is on court for TRH Rolf and Aurora. They are stepping up in Germans (Landsknecht) and have requested that their court wear german's as well. This is 4 weeks away.

Research and Background

My research normally centers around 14th-15th century French outfits. So all of this is pinch research. Do your own research. If you don't like my conclusions, good. Go find better ones. I think the fabrics should be velvet or wool with probably cotton or linen brocades for contrast. My goal is to create a garment that is consistent with the fashions portrayed in the woodcuts of Landsknecht from about 1550 Germany. Details to include:
  • High necked linen under shirt with neck ruffles and ties.
  • Black waffenrock with green guarding. Lined in green linen. Waffe at above waist level to just-above knees.
  • Strumpfen (cloth hose) with Kniebänder. Tight pants with two ruffles at knees. Possibly with garter between the two ruffles.
  • ?? Gartered knee high socks Possibly not necessary if Strumpfen are full length.
  • Tellerbarret (pizza hat) with ostrich feathers.
I believe the -actual- outfit should have a fitted doublet beneath the waffenrock. Because of time pressures (and because I think it's going to be stinking hot at Purg) I'm leaving that out of this iteration.

Resources

I found a lot of nice information here: http://www.st-max.org/redesign/costume-male.htm
Patterns for 16th century Men's Costume from Germany by Michael de Lacy. Nice patterns for hose, linen shirt and doublet.
http://www.kimiko1.com/dressdiaries/CptnWaffenrock/index.html

Inspirational Pictures

Found at http://www.st-max.org/todesengel_woodcuts.htm

Hauptman.jpg
Hauptman-n-Dopples.jpg
Hurenweibel.jpg
Landsknecht_Artillery-4.jpg
MusterSchieber.jpg
Profoss.jpg
s2958.jpg
Trommelschlager.jpg

shert.gif
Woodcut from Mari's class handout.
mocking_of_christ_grunewald_hose_detail.jpg
The Mocking of Christ
GRÜNEWALD, Matthias
1503 Oil on pine panel, 109 x 73,5 cm Alte Pinakothek, Munich
PBruegel_restscholar.jpgBruegel, Pieter
The Land of Cockaigne,
1567.


Process

">Landsknecht Waffenrock, 1517
  • gr_dress_procession.jpg
  • Diary started October 13th 2005
    Dress first worn: August 26, 2006.
    saxony.jpg
    Saxony, Germany
    [Edit: After almost 2 years of calling this my "german" dress I've come to find out that Cranach was a court painter to Frederick the Wise of Saxony. During the time of the portraits under study (1520-1540) he had settled permanently at Wittenberg. This means that we cannot take this style of dress to be the overall "german" style. It was popular in a limited geographic region over a limited amount of time. It also explains why it's so blasted hard to find any of this type of dresses painted by any other painters. So substitute "Dress of the Court of Saxony" for all references to "German" below.]

    Summary

    It's so hard to be just French. I'm Sylvie. I'm french. But I'm also "Sylvie, timetraveler of fashion."

    I've developed a need to make a german gown. I didn't mean to. I won't let this suck up my life and make me spend every day morning, noon, and night looking for pictures of German ladies. I won't!

    I blame this on Etaine. It's her fault with her perky bustling around in germans and her blasted friends bustling around in germans. I also blame Edith. With her "hey, we're of German decent.. we should look smashing in German garb". They're all just evil.

    Lastly I blame their Excellencies Rolf and Rory. With their german step up at Purgatorio. They have finally added a deadline to a never-started-because-I'm-intimidated-by-it project. *sigh* So I guess I'll have Germans by Purg (in 5 weeks).

    Research and Background

    I have no idea what these garments would actually be called in German. I think I'll stick with "dress", "underdress", "sleeves" and "stomache thingy".

    I think the fabrics looks like velvet or wool. I've been informed that wool flannel works very well. I'll probably use that with probably a cotton or linen brocades for contrast.

    My goal is to create a garment that is consistent with the fashions portrayed in the paintings of Cranach the Elder from around 1520-1530 Germany.

    Details to include:
    • Skirt pleated directly to the bodice. I'm uncertain which type of pleat I'm going to use. Etaine says it was -always- cartridge pleated.. but I'm just not seeing that in the paintings. This will be attached directly to the bodice (probably with a french seam like I did with my italian dress) with a slit in the front for getting in and out of the dress.
    • Three bands of contrasing fabric in skirt of decreasing size from the floor to about knee high.
    • Bubbled sleeves at elbows and possibly shoulder
    • I love the little standing collar coat thingy.. but I'm not sure if I will be able to attempt that for my first one.


    Inspirational Pictures

    cranach5big.gif
    cranach_judith.jpg
    Cranach the Elder, Lucas
    Judith Victorious
    c. 1530. Oil on wood. Staatliche Museen zu Berlin, Gemaldegalerie, Berlin, Germany.
    cranach56.jpg
    Cranach the Elder, Lucas.
    Portrait of Christiana Eulenau. 1534. Oil on wood. Alte Meister Gallerie, Dresden, Germany.
    cranach1528.jpg
    Cranach the Elder, Lucas.
    1528

    cranachbig.gif
    Cranach the Elder, Lucas.
    The Saxon Princesses (Sibyl, Emilia and Sidonia of Saxe). c.1530. Oil on wood. Kunsthistorisches Museum, Vienna, Austria.
    3princess_detail_lacingring.jpg
    Detail of right-hand princess from "The Saxon Princesses". Note the lacing ring showing at the top of the picture. Picture found on Flickr
    CRANACH_Lucas_the_Elder_Portrait_Of_A_Young_Woman.jpg
    Cranach the Elder, Lucas.
    Portrait of a Young Woman. c.1530 Oil on wood 16 1/2 x 19 1/4 inches (42 x 49 cm) Galleria degli Uffizi, Florence, Italy
    nort.cranach.jpeg
    Cranach the Elder, Lucas.
    Lucretia Committing Suicide. c.1529. Oil on panel. Sarah Campbell Blaffer Foundation, Houston
    lucrezia.jpg
    Cranach the Elder, Lucas
    (German, 1472-1553)
    Lucretia, 1535.
    1512cranlucre.jpg
    Credited as Cranach the Elder, Lucas 1512
    . Problems: doesn't resemble other Cranach images. 1512 is very early for this style. I'd love to see a color copy of this image.


    From the back
    01mysti1.jpg
    Cranach the Elder, Lucas
    The Mystic Marriage of St Catherine (detail)
    c. 1516
    Panel, 67,5 x 47,3 cm (full painting)
    Museum of Fine Arts, Budapest
    6fountai.jpg
    Cranach the Elder, Lucas.
    The Fountain of Youth (detail)
    1546
    Lime panel
    Staatliche Museen, Berlin
    12640127.000.jpg
    Cranach the Elder, Lucas.
    The ill-matched lovers

    http://www.dhm.de/ausstellungen/kurzweil/season.htm
    http://www.thinker.org/imagebase_zoom.asp?rec=6235304329530027

    Process

    ">Saxony 1530 Gown
  • CSI32.jpg
  • Diary started October 19th 2004
    Dress finished January 7th 2005

    Summary

    It seems like such a simple thing. I'm Sylvie. I'm french. I'm from the late 14th/early 15th century. It seems obvious that I would have a "cote", "cotte", "cotehardie", "gothic fitted gown", "kirtle" whatever you want to call it.. the fitted supportive layer seen in late 14th/early 15th century illuminations. It's been a long road to get here. I'm at the middle of my third year in the SCA and I'm just now getting around to making a dress that's appropriate to my persona.

    This will actually be the second fitted gown I've made. I was terribly proud of the first gown (I blame the pride on the pain from my gall bladder (but that's a different story)). A friend is now wearing it.. everytime I see her in it I want to tackle her to the ground and give her a proper fitting just so I can burn my "gothic fitted greenland gown". It makes my teeth hurt. (my friend still looks perky and lovely in it.. but she'd knock their eyes out in a properly fitted dress). [Edit: The first cote sold for $45 at Ducal in 2006]

    So when Etaine proposed "let's all wear similar dresses for Twelfth Night" it seems like a really fantastic idea to push for the 14th century fitted gown.


    Proposed dress fabric. Yellow wool on bottom, yellow lining linen on top.
    I've set aside some lovely yellow wool gabardine for the outer layer and I finally found some lovely yellow linen to use for the lining (this yellow is the second yellow I'd bought. The first yellow was WAY too bright).

    So cross your fingers for me. With luck and a bunch of work I should have a fitted yellow cote for Twelfth Night. If I get really ambitious (and ahead of schedule) I may even make up a lovely red overdress. I'm not holding my breath.

    Research and Background

    No one yet knows what this dress would have been called at the time when it was worn. I tend to call it a "cote" or "fitted gown". The current recreationists theory says that this started out as the loose tunic of the 13th century and became more and more fitted as time progressed. Eventually this garment became the supported under-layer for the houppelande, and possibly even for some later garments.

    My goal is to create a garment that is consistent with the fashions in 1425-1440 France.

    My primary sources are the "Tres Riches Heures de Duc Berry" illustrated by the Limbourg brothers between 1413-1416 and a french translation of "Boccacio's Decameron" illstrated by Flemish artists between 1430-1440.

    Details to include:
    • Fitted dress of four panels (illus. 1) with gores for fullness
    • Front spiral laced closure (illus. 2)
    • Rounded neck opening (illus. 2)
    • Wrist length tight fitting sleeves (illus.1)

    Boccacio's Decameron, seam detail.
    Illustration 1
    Boccacio's Decameron, 1430-1440
    Notice the seam lines in the underarm then going down her sides.
    Tres Riches Heuers de Duc Berry, June, detail.
    Illustration 2
    Tres Riches Heures de Duc Berry, 1413-1416.

    Inspirational Pictures

    Tres Riches Heuers de Duc Berry, April, detail. Belles Heures de Duc Berry, Temptation of St. Jerome, detail. Boccicio's Decameron, detail.

    Process

    ">Yellow Cote (late 14th - early 15th Century)
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