Band completed 10/23/2002
What it is
This tablet woven band is woven using 18 tablets each with 4 strands of size 10 cotton crochet thread (a total of 72 threads) using the method described as “Pack Idling” by Peter Collingwood in The Techniques of Tablet Weaving using Thora Sharptooth’s threading sequence from her website (http://www.cs.vassar.edu/~capriest/saxontw.html). The final band wove up to just under 0.5 inches (~1cm). This pattern is naturally double sided. In essence with the pack idling method you are weaving two bands simultaneously which are attached at the selvedges and tied together by the common weft. The “back” of the bands is sandwiched in between the front and back bands and hidden from view. Because of the alternations, this band weaves up narrower and a little more dense than it normally would with only 18 cards.
Band is the same on front and back
Threading diagram for use in Gutram’s Tablet Weaving Thingy
This band is turned only in one direction using a technique Peter Collingwood calls “Pack idling”. Separate the cards into a pack made of even numbered cards and a pack made of odd numbered cards. Insert the first weft from left to right. Turn only the even cards, beat, and insert the next weft from right to left. Leave a little loop on the right-hand side of the weaving.
– Turn only the odd cards, beat, pull the last weft thread taut. Insert the next weft from left to right leaving a little loop on the left-hand side of the weaving.
– Turn only the even cards, beat, pull the last weft thread taut. Insert the next weft from right to left, leaving a little loop on the right-hand side of the weaving.
Alternate turning the packs alternately: even, odd, even, odd until the weaving reaches the desired length.
Since weaving this belt I have learned a method from Shelagh Lewins which will allow me to more easily release the twist build up allowing me to make a longer weaving. I have not yet tested this method.
Original band was found in St. John’s Cricket Field, Cambridge and resides in the Museum of Archaeology and Anthropology in Cambridge. This band was described by Grace Crowfoot in an article in 1951. The article states that the original was made of a bast fiber in blue, white and dark blue. The article describes the band as being “firmly adhered” to a strap end, embedded between the bars in the strap end.
The original article dated the find as being Saxon, late pagan, which would be around the fifth or sixth century A.D. More recently, because of the shape of the strap end and the lack of charring on the object (which was found in a cinerary urn) Penelope Walton Rogers disputes the dating of this piece and instead place it in the medieval period (Rogers, p. 125). Ms. Rogers further notes that “the technique of the patterned linen strap, with staggered rotation of the tablets, is a standard in late medieval linen girdles.” Finaly she notes that this is the only known example of a threaded-in band used as a belt in the Anglo-Saxon era.
Collingwood, Peter, The Techniques of Tablet Weaving. McMinnville: Robin & Russ Handweavers, Inc. (2002), p. 122.
Crowfoot, Grace. “Textiles of the Saxon Period in the Museum of Archaeology and Ethnology”. Proceedings of the Cambridge Antiquarian Society 44 (1951):26-32.
Lewins, Shelagh. “Anglo-Saxon Belt Weaving Instructions.” Shelagh’s Website. 2008. 8 October 2012.
Priest-Dorman, Carolyn, Pikestaff: The Arts and Sciences Issue (December 1990), reprinted at
Rogers, Penelope Walton, Cloth and Clothing in Early Anglo-Saxon England. York: Council for Brithish Archaeology. (2007), p. 125.
Anglo-Saxon Belt Weaving Instructions by Shelagh Lewins