At West Kingdom October Crown, on October 3, 2015 directly after my apprenticing to Master Leo Diogenese as a lady-at-arts, while the ink was still wet on our chirograph contract, Their Majesties of the West, Miles Fitzraulf and Ariela Bar Leila invited me to join the order of the Laurel. By the gracious permission of Their Majesties and Their Royal Highnesses I had my Laurel ceremony at West Kingdom Golden Beltane at Their Majesties Mark and Patricia’s stepping down, April 30, 2016.
My Vigil and Ceremony were exactly what I wanted. Simple and elegant. My banner, which was made by Duchess Mina Wynter, was carried into court by my very good friend, Lord Coenwulf Draugrson. I was escorted into court by my husband, Sir Fearghus MacAirt and my Laurel, Master Leo Diogenese. Her Grace Sir Mari Alexander agreed to stand as my speaker. Master Leo passed the Laurel medallion on to me which he had received from his Laurel, Mistress Danaë FitzRoberts.
I finished the last stitch on the last accessory on the evening of Thursday April 28th. I did not stitch a single thing in the car ride to the site nor did I do any stitching before, during or after my vigil. I view this as a HUGE win. Coincidentally, staying up until midnight for the last month working on my outfit and accessories made it very easy to stay up late for my Vigil.
Be it known to all who should read this missive that Baroness Sylvie la chardonnière, a matron of the West Kingdom, woman-at-arts to Master Leo Diogenese, having been invited to become a Laurel of the realm by the late King Miles and Queen Ariela will sit vigil on Friday night, April 29, the feast day of Saint Catherine of Siena. With all humility she begs a boon of all that they should come and visit with her during this Vigil with private words of wisdom and well wishes for her to contemplate before her ceremony on Saturday during the court of King Marc and Queen Patricia.
Brown velvetstarted March 29, 2016. Finished April 23, 2016.
For my laurelling ceremony I want to wear aover my . I lucked upon a great deal on brown cotton velveteen at $3.20/yd. So I got 10 yards of it.
This is going to be a brown velvetwith a center front opening which will be held closed with hook and eye at the bodice (open on the skirt). The will have a waist seam and very wide sleeves (which can be folded back). The sleeves and the skirt will be lined in black cotton velveteen. The neck and the hem will also be bound with black velveteen. For this dress I’m going to use stuffed box pleats as shown in “The Queen’s Servants” page 46.
The sleeves will be very wide but I want the seam to be at the underarm (lined up with the side seam) and end up at the bottom of sleeve drop at the wrist. For the sleeve, I want a very wide sleeve which can be worn down (to the back of my knuckles) or can be rolled up partially(~3-4 inches) or half way up the arm. When rolled back I want the rolled back portion to sit flat against the sleeve it’s rolled up against. When I was fitting the sleeve I found the if I used a basic flared sleeve the rolled back portion didn’t sit flat. To fix this I updated the sleeve to go straight after it flairs out enough for the depth of the sleeve I want (see pattern).
Originally I thought I’d do a train.. but I finally decided against it. Realistically the number of times I’d wear thewith the train down is approaching one and it seems silly to spend time and effort developing a pattern for and then sewing a feature I’d never use.
Continue reading How now Brown ?
Planning began February 10, 2015.
Accessory finished March 19, 2016.
V2 finished March 30, 2016.
V3 finished April 17, 2016.
I’ve been spending a lot of time looking at early Tudor (1488-1515) pictures from France and Brittany and I’ve noticed quite a few of them have something white at the neckline. I believe that to be a partlet (sometimes called a gollar). Most of the time I see this under thelayer. Occasionally I see it over the . In images from France/Brittany I’ve only seen the white partlet under the (in some Italian images the white partlet can be seen over the outer ). Occasionally I’ll see the black partlet worn over the .. but the black partlet will be a different accessory with its own post.
On my kirtles I follow Festive Attyre’s “The Zen of Spiral Lacing” guide for spiral lacing hole placement. To do that I created a quick-and-dirty template which makes marking eyelets much easier.
This is an index card which is marked in 3/4″ increments except at the end which is 1/2 that. Above these marks, 1/4″ from the edge of the card I punched holes in the card. This makes marking of eyelets much easier than trying to mark with a simple ruler.
The top awl is a commercial awl I bought from JoAnne’s. It’s nice.. but it make TINY eyelets. I suppose if I’d had a good aiglet on the laces this wouldn’t be an issue.. but I didn’t have a good aiglet and it was an issue. So my husband, who loves me very much, jimmy’d around in the garage and came up with a bigger awl for me to use to make eyelets. The new awl is a large diameter screwdriver which he ground down to a point. The eyelets on the new dress are HUGE in comparison to the old.
Hannah Brown worsted wool sleeveless waistedstarted January 17, 2016. Finished March 5, 2016.
I lost 10 lbs, gained 60 lbs, had a baby, lost 60 lbs and refit my bodice. I’ve had time since the last time I made a fittedto consider my construction methods and design choices and to make some new choices based on new information.**
– ( , cotehardie, cote, gothic fitted dress, whatever you want to call it) The support layer. A dress worn over the . It supports and shapes the breasts. In middle/lower class this may be the only dress worn. The type of described here is appropriate for the late 15th/early 16th century (eg. 1480s-1540s possibly earlier/later). This is later (1540s and later) sometimes referred to as the petticoat.
– The fancy dress worn over the . Made of expensive fabrics and sometimes fur lined.
Breast Band – (outlined in dotted lines in image to the left) In thethe breasts are kept up by having the pattern tightly fitted to the body. There is a band about 2-3 inches wide which runs below the breasts on the rib cage. If this band is nice and tight and on-grain it’s impossible for the breasts to “droop”. Above the band the breasts are shaped by the space available in the pattern and the tautness of the fabric both from the side seam and from the shoulder seam. Below the band the pattern should at most skim the the body. I do not recommend shaping the body below the breast band.
At West Kingdom October Crown, on October 3, 2015 directly after my apprenticing to Master Leo Diogenese, while the ink was still wet on our fealty contract, Their Majesties of the West, Miles Fitzraulf and Ariela Bar Leila invited me to join the Order of the Laurel. By the gracious permission of Their Majesties and Their Highnesses I will be having my Laurel ceremony at West Kingdom Golden Beltane at Their Highnesses, Mark and Patricia’s stepping down, April 30/May 1, 2016.
I would have mentioned it sooner.. but we also bought a house that weekend and I got busy busy busy with packing, moving, unpacking, Thanksgiving, Christmas and finally 12th night.
Now that that’s over with.. back to the sewing.
Things which are oddly similar:
This caught my eye a while ago. It seems obvious when you put the images side-by-side.
I’m on a kick.. and for once it’s a cooking kick, not a sewing kick. So bear with me.
The most recent Dietary Guidelines for Americans, released in January 2011, recommend that all adults eat at least half their grains as whole grains – that’s at least 3 to 5 servings of whole grains. Even children need 2 to 3 servings or more.
Where a serving of whole grain is defined as any of the following:
Whole grains or foods made from them contain all the essential parts and naturally-occurring nutrients of the entire grain seed in their original proportions. If the grain has been processed (e.g., cracked, crushed, rolled, extruded, and/or cooked), the food product should deliver the same rich balance of nutrients that are found in the original grain seed.
This definition means that 100% of the original kernel – all of the bran, germ, and endosperm – must be present to qualify as a whole grain.
Oilseeds and legumes (such as flax, chia, sunflower seeds, soy, chickpeas, etc.) are not considered whole grains by the WGC, the AACC International, or the U.S. Food and Drug Administration (FDA).
I need to get more whole grains. I’ve known this for a while.. I keep hearing “you should eat more whole grain” so we switched to a whole grain bread and use brown rice instead of white rice. But I suspected that wasn’t enough to actually get the 3-5 servings they recommend. Then, a few months ago I bought lunch at a nearby cafe and they had a whole grain salad (Farro with goat cheese and almonds). It was super lovely fantastic. So for the last few months I’ve been experimenting with different grains and different salad recipes (recipes blogged on one of my other blogs under Whole Grain Salads). These salads make a light and filling dinner and even better, work well as lunch for a few days after.
In experimenting with the salads it occurred to me that I don’t really know what I’m doing. I don’t now a whole grain from a stealthed pasta (couscous is NOT a whole grain). I didn’t know that Farro, rather than being a unique species of whole grain, is yet another species of wheat… or that Bulgur, is a form of any wheat, not a special whole grain. So I started to dig.. and lucky you, I like to document what I find so I don’t forget it. So I’m blogging my findings.
This is tangentially related to SCA things since I’m looking at these grains and salads to come up with reasonable period choices for foods. One of my goals is to come up with a plausible salad which could be made a home, and would store in a cooler for a few days (ie, not meat, no diary, nothing that would easily spoil). I’m close.